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Hoffman - Explicit In House Of Flesh MannequinsĮcchi Ecchi Slideshow 2 House Of 1000 Corpseshigurashi No Naku Koro Ni1 Anime Girls And you might be disappointed when you hear from McNaughton retrospectively that there was originally a queer male subplot, in addition to the more Pornhub-friendly sequences you find within the film currently.Kinkster’s Double Humiliation Makes Cathy Heaven Pee Over Mira Cuckold Others will have seen the uncut scenes you can find on the internet (apparently). Read more: Kevin Bacon looks back on his Friday The 13th deathįor people who saw Wild Things on original release, many will remember the nudity and sex on display. The person in said scene is even wearing the kind of headscarf you might expect Marlene Dietrich to wear, albeit in a very different location. Which is exactly what Wild Things delivers, right down to the final mid-credits scene. But many of the best film noirs were at their heart a trifle: slight and clever, twisty and turny, with characters you love to hate or hate to love and surprises by the bucketload. (Sony Pictures)Īs with a lot of ‘classic’ cinema, much weighty analysis has been visited upon the movies that endure, ensuring it’s difficult to watch any except through the prism of a Sight & Sound editor. When Kelly is sitting in a posh 4x4 after being part of a murder, she whines, “Mom would kill me if she knew I took the Rover.”ĭaphne Rubin-Vega and Kevin Bacon in Wild Things. The first two are brilliantly cast – Dillon as Sam, a lunkheaded charmer and a pre-fame Richards as the amoral sex kitten with a penchant for see-through swimsuits. Read more: Denise Richards joins OnlyFans after defending daughter There resides Matt Dillon's Sam Lombardo (great noir name and incidentally the star of another modern success in the genre, A Kiss Before Dying), a high school guidance counsellor who finds his life unravelling when he’s accused of rape by high society student Kelly Van Ryan ( Denise Richards) and Suzie Toller (Neve Campbell), a girl from the wrong side of the tracks. Wild Things makes it work from the get-go, from the moment director John McNaughton had the brilliant idea to hire George S Clinton (not the Funkadelic one) to produce a sly, jazzy, sweaty score that introduces the moneyed world of Blue Bay, Florida. Neve Campbell and Denis Richards in Wild Things.
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Occasionally it’s done well – Brick by Rian Johnson, John Dahl’s The Last Seduction – but mostly it’s parodies in glossy TV shows. Well, noir et blanc.Īnd when that’s transposed to modern filmmaking it can become very mannered. That’s primarily because it’s old-fashioned, after all most of the well-known noirs are literally that.
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Read more: Wild Things director on the steamy scene ho couldn't make todayįilm noir has become an academic term: one that only movie critics and ‘people with degrees about movies’ talk about with any verve. Rewatching it for this feature only calcified my belief that for what it is intended to be - a postmodern film noir with the sexiness you can show in 1998 versus 1948 - it’s nearly perfect. Straight-to-DVD/cable/whatever it’s called now sequels come a-knocking. That’s the problem when your original thriller succeeds in its core objectives – and adds boobs into the mix.
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There are four movies in the Wild Things series - celebrating its 25th anniversary this week - although you’d be forgiven for not knowing about number two onwards. Kevin Bacon, Denise Richards, Neve Campbell and Matt Dillon in 1998's Wild Things.
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